Proof that Pat considered me a "backbone" of his NES book during the writing and editing process and was very happy with my reviews, saying I did a "great job." He even included my reviews in the second edition of his book. He only started trashing me after my Omnibus books starting coming out, and he began seeing me as competition.
Years ago Pat
Contri, who plays the character The NES Punk on YouTube, asked me to contribute
to his then-forthcoming NES Guide Book, which came to be called the Ultimate
Nintendo: Guide to the NES Library (1985-1995). It was released in 2016. I
wrote 60 reviews and reflections (nostalgic stories, cultural impact, etc.) for
the book and was proud to take part. Pat was and is a popular YouTube
personality, and I was excited to be part of such a high-profile (relatively
speaking) project. Pat was fun to work with, and he was actually a pretty good
editor on the project, making some suggestions for me to beef up some of my
reviews with more detail.Unfortunately, a
few years after the book was published, things went south. He deleted my
reviews from the third edition of the book (which was his prerogative, and which
I wouldn’t have minded if he would have handled it better), began ghosting me
at video game conventions (which got awkward), and starting saying nasty things
about me on his podcast and YouTube channel (which was part irritating, part
amusing).
In his comments about
me on his podcast, he would refer to me sarcastically as “the famous author,”
and he even called me a “passive-aggressive asshole.” I always assumed he
didn’t mention me by name because he didn’t want to draw attention to my
YouTube channel or my books, which is probably true. I think he began viewing
me as a competitor instead of a friend once my Omnibus books started coming
out, which I’ll get to in a bit. However, in a recent podcast/video, he threw
the gloves off and called me out by name and said some things I’d like to clear
up and correct.
To answer a few
quick questions brought about by Pat and his pal Ian’s recent take on me, here
you go:
1. Yes, I played all
the games I reviewed in Pat’s NES book thoroughly, though I didn’t beat them
all. Yes, Pat paid me to write the reviews upfront, and I never expected
royalties (sorry if this was ever unclear). I genuinely liked the
oft-criticized Magic Johnson’s Fastbreak, though I admit nostalgia for the game
colored my opinion. (I would have given Double Dribble 4 stars, BTW.) Pat rewrote
my Rad Gravity review and gave me full credit for it--that’s the type of thing
editors do sometimes, so not a big deal.
2. As far as I can
tell, Pat thought my reviews were perfectly fine (he even said I was doing a good job) until he saw me as competition
when my Omnibus books started coming out. After that, he called them “garbage”
on his podcast. If he thought my reviews were garbage, he wouldn’t have published
most of them in the SECOND EDITION of the book as well. My reviews in his NES
book are no better or worse than his or Ian’s or the other writers—they’re
about on-par with the other entries (this isn't rocket science), which you can see for yourself if you have
either earlier edition.
Further, and this is the most important point, in a friendly email marked Dec. 07, 2016, he implied that he WANTED ME TO WRITE FOR HIS SUPER NINTENDO BOOK MONTHS AFTER HIS NES BOOK WAS PUBLISHED. This proves beyond the shadow of a doubt that he was happy with my reviews in his book until he saw me as competition. It also shows that I was forthcoming in telling him I was working on a large SNES book with high production values.
3. I don’t have
“animosity” toward Pat because of him deleting my reviews from the third
edition of his NES book. I was irritated and in fact felt betrayed by him for not
telling me ahead of time (or ever) and having to discover it on my own. He
subsequently ignored my very polite DMs inquiring about it, and he even ignored
a message I sent congratulating him on his highly successful Kickstarter for
his SNES book. He had every right to do with his book what he wanted, including
removing my reviews, but he didn’t handle it professionally in my opinion.
4. After Pat
deleted my reviews from his NES book without telling me, and without answering
my DMs about it, and ignoring me at conventions, I made an objective, extremely
fair video about who wrote the
first complete NES book (it’s complicated),
giving credit to several authors, including
Joe Santulli,
Jeff Wittenhagen, and
Pat himself. Each of the NES books by these authors has merit. I could have
simply trashed Pat in the video, but that’s not my style, and I didn’t view him
as an enemy or anything like that anyway. I figured an objective video with
some history was more useful and more substantive than a drama video, but the
latter would’ve certainly gotten more views. I try to get along and be
reasonable and civilized with everyone, and I never take personal shots at
those I disagree with (which they do briefly admit to in their recent video). I
suppose this is one reason why Pat and Ian call me passive-aggressive.
5. They said in
the video that I “suddenly glommed onto the Intellivision Amico” immediately
after they got skeptical about it. That’s completely untrue. I’ve been a fan of the original Intellivision since I first played it in 1980, and I love the idea
of retro-reimagined games. My interest had nothing to do with them, and I was
onboard with the idea behind the console the first time I heard about it. When
they started making nasty remarks about the Amico and former Intellivision CEO Tommy
Tallarico (which turned out to be justified in many cases), did I root even
more for the console to succeed? Yes, but that’s much different than me being
for the Amico simply because they were against it.
6. Were Pat and
Ian ultimately right about the Amico in many respects, such as it not coming
out? And about people getting screwed out of their investments and pre-orders? Sadly,
yes. I thought the Amico was a cool idea, especially early on, but Tommy and
Intellivision mishandled it horribly. As such, I did a video on the mistakes they made and how I canceled my pre-order. I never got hateful toward Tommy
about the Amico—I simply stated my views as objectively as I could—which I
guess makes me passive-aggressive.
7. My video about the Play Date was actually pretty even-handed. I said I didn’t “get” the handheld
console, the same way a lot of people didn’t “get” the Amico, so I could
empathize. Was my Play Date video a response to Pat and Ian’s video about the
Play Date? Not really, as I recall. I simply thought the system was an interesting parallel to the
Amico: an underpowered, overpriced console that I wasn’t interested in,
compared to the Amico, which I was interested in, despite it being underpowered
and eventually overpriced. I saw some irony there and felt it was a good topic.
I was honest in my assessment about the prospective Play Date at the time,
based on what I saw of the thing in action on YouTube. I was unimpressed with
the tiny (if clear) black-and-white screen and the awkward crank that shook the
system when you played it. I would have said so if I thought that it looked
cool—I try to be as objective and as honest as possible in my videos.
For some added perspective
on all of this, let’s go back to the first time I met Pat and our subsequent
encounters.
I was a vendor at
the 2009 (or perhaps 2010, I forget which) ScrewAttack Game Convention in the
Dallas/Fort Worth area. This was a fun (and fondly remembered) show hosted by
Craig Skistimas and company. Pat approached my table, said hello, and started
flipping through a copy of my then-most recent book, Classic Home Video Games:1985-1988 (the cover dates refer to console era—the book features a write-up for every US release for the NES, Master System, and 7800). He told me that he
was planning on writing an NES book of his own, but that he had something
bigger in mind: a full-color hardcover book with screenshots and the like (my
CHVG book is more like an encyclopedia with game synopses and relatively few
black-and-white images).
At some point—I can’t
remember exactly when or where—Pat asked me if I’d like to write some reviews
for his book. He said he would write the majority, but that he was going to include
some contributing writers on the project. I expressed interest, and we had a
series of highly congenial phone calls. We share a lot of common interests and
had some interesting conversations about writing, pop culture, the NES, and
more. He had a clear vision for his book, and I was excited to take part. At
the time, I was a full-time freelance writer and always grateful for paying
work as well as added exposure. We agreed on a sum that suited us both (he paid
me upfront for my work as I turned it in), and over the next few months, I played
and replayed more than 60 games and wrote up my reviews and reflections for
those titles. I repurposed some of my reviews from my previous projects, which
I told him upfront I was going to do, such as the website (the late, lamented All Game Guide) that Pat references in his recent video, but I played the games
anew and polished up my reviews accordingly. Admittedly, some of my opinions of
retro/vintage games are colored by nostalgia.
When Pat’s NES book
came out in 2016, I was super excited and did an unboxing on my YouTube channel. The previous year, I promoted the book on my website. I shared the full Kickstarter
campaign on my website (which I deleted when it was no longer relevant). I even included the book in a roundup of retro gaming books I did for the Fort WorthStar-Telegram and a few other outlets, being sure to include a disclaimer that I was a contributing
writer. I didn’t expect further compensation—no royalties or anything like that—but
I was happy to help promote the book without him or anyone else asking me to. I
was just pumped up about it!
From time to time,
Pat and I are guests at the same retro gaming convention, such as the Portland Retro Gaming Expo and the Midwest Gaming Classic. We always said “hey” to each
other in the past, and sometimes people would bring me Pat’s book to sign. I
would also tell people to check out Pat’s book if they hadn’t already. I asked
Pat at a PRGE if he wanted to do a book panel sometime, and he said no, which
of course was his prerogative—not a big deal. One time at Retropalooza, I
volunteered to take him to a shop to get his phone repaired, but he had already
called an Uber. He did a panel at Classic Game Fest, and I stood in line to ask
him a question. When it was my turn to as my question, he referred to me as the
author of The 100 Greatest Console Video Games, which I thought was cool. I
texted him from time to time, and he would usually respond. In short, we were what
I considered to be acquaintances and even friends. Pat published a second
edition of the book, and most of my reviews and reflections were in that
edition as well.
Then things got a
little off-kilter, which I’ll explain in a bit. Instead of doing a fourth
volume in the Classic Home Video Games series, I decided to do a full-on Super
Nintendo book, complete with box art, cartridge photos, screenshots, vintage
ads, and the like. I also included Insider Insights (supplemental stories about
certain games from other content creators), the idea of which I got in part
from the stories in Rob Strangman’s Memoirs of a Virtual Caveman book. I was
also inspired by the “Lore” stories from Digital Press. I didn’t pay for these
Insider Insights, but the contributing writers were very excited to tell their
stories and see them in print, especially in a professionally published (by
Schiffer) book that would appear in actual brick-and-mortar stores, such as
Barnes & Noble. These “contributions” were literally that: contributions.
And I am eternally
grateful for the from-the-heart work people have written for the Omnibus books.
The Insider Insight writers list reads like a retro gaming all-star squad.
Everyone from Kelsey Lewin to John Riggs to Shawn “RGT 85” Long to Console Wars
author Blake Harris to Intellivision programmer David Warhol to New York Best-Selling Author John Jackson Miller has contributed
awesome tales about games they had a particular interest in. And this just
scratches the surface—I have had probably more than 200 contributing writers,
most of whom have worked in the industry in one way or another. Pat is always
quick to ridicule me for not paying these contributing writers, but I’m not
forcing anyone to do anything they don’t want to. The contributing writers have
been extremely supportive, and many share my posts and videos. I've had my publisher send some of them review copies as well.
After The SNES Omnibus: The Super Nintendo and Its Games, Vol. 1 (A–M) was published in 2018, Pat stopped by my booth at a show and flipped through a copy, and we spoke
briefly. The encounter seemed friendly enough. I went by his booth later to get
a pic with him and his NES book and me with my SNES book. I sort of detected he
wasn’t thrilled to be in the pic, but I may have been misreading the situation
(so to speak)--I wasn’t sure. Regardless, he did take the time to be in the pic.
As I referenced
earlier, my Classic Home Video Games books, while professionally published (by
McFarland), are relatively simple guides to numerous old consoles, with brief
write-ups for each game. Pat didn’t seem too concerned about those books. As a
matter of fact, he once told me via FB messaging that my CGVG 1985-1988 covering the 7800, NES, and Master System “wasn’t
an NES book.” However, my Omnibus books are very slickly produced with deluxe
hardcover binding, thousands of full-color photos, hundreds of thousands of
words, etc. As far as I can tell, Pat’s attitude toward me changed when he saw
my first Omnibus book. I believe he suddenly felt like I was competition, and
he didn’t like me encroaching on “his” territory, even though I have been at it
much longer than him. My Omnibus books are fairly similar to his Guide books in
terms of basic structure but with plenty of differences to make them stand
apart. You can check out sample pages on Amazon too see the differences.
After Pat saw my
SNES book(s), I saw his behavior toward me begin to change. The timing sure
seems to suggest that, anyway. He suddenly stopped mentioning my name on his podcast
when he would talk about guests at video game conventions we were both doing,
and he started acting strangely around me at said conventions, like he would
rather be anywhere else than around me. I would still try to make small talk with
him, but he seemed uncomfortable. He also blocked me on social media. And then
the trash-talking on his podcast began. My support for the Amico and his
conflict with Tommy, who I was friends with for many years before the Amico
debacle, only made things worse. Somehow, things have gotten to point where we are
what…enemies? Seems silly, really. I don’t like drama, nor do I see Pat as an enemy,
so I hope we can at least be polite to one another moving forward, but that’s
entirely up to him.
Pat can always reach
out to me via social media or give me an email (brettw105@sbcglobal.net) if he
wants to clear the air. He can also call me any time. It’s possible he has
misconstrued what has transpired over the past few years regarding all of this,
and I’ll be happy to discuss it. It’s possible I have misunderstood his
perspective as well. If his attitude towards me changed for reasons other than him
seeing my Omnibus books as competition, I’d appreciate him telling me. After
all, there are two sides to every story, as they say. Or am I just being passive-aggressive?
Thanks to everyone
who has made it this far, and to everyone for your continued support!
Brett
