A year ago I wrote an article for the Fort Worth Star-Telegram about famous rock stars gone solo. Here's that article, updated and reprinted for your perusal. Enjoy!
Sir Paul McCartney’s latest album, New, released a year ago. Backed by a Beatles-esque little ditty
called “New,” the CD has been well-received by McCartney fans and Beatlemaniacs alike.
This got me to thinking about solo records released by legendary rock
icons, from McCartney’s post-Beatles breakup McCartney (1970) to Peter Frampton’s ubiquitous Frampton Comes Alive! (1976) to Peter
Gabriel’s radio-friendly So (1986).
Here are 10 more noteworthy examples of famous rock stars gone solo:
Roger Daltrey
Album: Daltrey
1973
Roger Daltrey, front man for The Who, hardly wrote any songs for
the band—those duties were primarily the purview of guitarist Pete Townshend
and bassist John Entwistle—so you might think he’d want to put pen to paper
when carving out a sideline career as a solo artist. Not so much.
Daltrey co-wrote a few tunes on his solo records, but largely left
those duties to others, including a young Leo Sayer, who co-wrote (with David
Courtney) eight of the 10 tunes on Daltrey’s first solo LP, the self-titled Daltrey. Even so, Daltrey’s singing was
so passionate, so convincingly from the heart, that he made the songs, such as
the emotionally charged “Giving It All Away, ” his
own.
Mick Jagger
Album: She’s the Boss
1985
By 1984, when Rolling Stones front man Mick Jagger began recording
his first solo LP, She’s the Boss, the
band had been together for more than two decades. Predictably enough, things
weren’t 100 percent rosy. Guitarist Keith Richards wanted Jagger to focus on
the Stones instead of his solo career, and the two were at odds over the future
direction of the group: Richards wanted to stay true to their blues/rock roots
while Jagger was looking to go in a more pop-oriented direction.
Jagger’s pop sensibilities are at the forefront of She’s the Boss, which features such
danceable tunes as “Just Another Night” and “Lucky in Love,” both of which were
top 40 hits.
John Lennon
Album: John Lennon/Plastic
Ono Band
1970
Ranked number 22 in a special “The 500 Greatest Albums of All
Time" issue of Rolling Stone
magazine (2003), John Lennon/Plastic Ono
Band was Lennon’s first real solo effort. (His trio of experimental works
with Yoko Ono are widely dismissed.) Lennon, inspired by months of primal
scream therapy with Dr. Arthur Janov, bears his soul for all to see on this
record, agonizing over parental abandonment in “Mother” and proclaiming his
disbelief in such idols as Jesus, Hitler and The Beatles in “God.”
Yoko Ono/Plastic Ono Band was released to far less acclaim on the same day with a nearly
identical cover: John and Yoko resting against a large tree.
Stevie Nicks
Album: Bella Donna
1981
Enchantress Steve Nicks cast her magical spell on a number of great
Fleetwood Mac songs, such as “Landslide” and “Gold Dust Woman,” but she’s a
terrific solo artist as well. Her best record away from the band remains her
first, Bella Donna, which contains 10
strong tracks—there’s not a dud in the bunch. Everyone has heard the definitive
“Edge of Seventeen” and the duets “Stop Draggin' My Heart Around” (with Tom
Petty) and “Leather and Lace” (with Don Henley), but songs like the catchy
“Think About It” and the beautiful “The Highwayman” deserve a wide audience as
well.
You can watch recording sessions from Bella Donna on the DVD included with Crystal Visions – The Very Best of Stevie Nicks (2007), a
compilation album from 2007.
Ozzy Osbourne
Album: Blizzard of Ozz
1980
In October of 1984, “Suicide Solution,” the fifth track on Blizzard of Ozz, made headlines when a
teenager named John McCollum shot himself after allegedly listening to the
song. The parents sued CBS Records and Osbourne, but the case was dismissed
thanks to free speech protection under the First Amendment.
What Blizzard of Ozz is
less egregiously known for is marking Ozzy’s debut as a solo artist in the wake
of his departure from Black Sabbath. Complementing Osbourne’s wailing vocals
are the virtuoso stylings of guitar god Randy Rhoads, whose blistering fretwork
and classical influence help make such melodic tunes as “Mr. Crowley” and the
arena-rocking hit “Crazy Train” timeless cornerstones of ’80s metal.
Robert Plant
Album: The Principle of
Moments
1983
Led Zeppelin, one of the greatest rock bands in the history of the
world, called it quits after the death of drummer John Bonham, who, on Sept.
25, 1980, choked on his own vomit after a day and night of heavy drinking.
Front man Robert Plant’s post-Zeppelin career included, among other
projects, the formation of The Honeydrippers (with Zeppelin alumnus Jimmy Page
on lead guitar), a two-year stint with Allison Krauss and the release of several
solo albums, including The Principle of Moments, which
featured the hits “Other Arms,” “In the Mood” and “Big Log.” The latter is an
epic, Zeppelin-style tune given new life in the recently released video game, Grand Theft Auto V.
Gene Simmons
Album: Gene Simmons
1978
In 1977, a Gallup poll named KISS the most popular band in America.
The fiery (and in Gene’s case, fire-breathing) foursome, riding the wave of four
consecutive platinum records, was on top of the world, though egos were
beginning to clash. On Sept. 18, 1978, with tensions running high, Ace, Gene,
Paul and Peter each released a solo album.
Featuring contributions from such celebrities as then-girlfriend
Cher (backup vocals) and Aerosmith’s Joe Perry (guitar), Gene’s LP was the most
eclectic of the bunch, giving listeners the rocking “Radioactive,” the
Beatles-influenced “See You Tonite” and a confounding, off-key cover of
Disney’s “When You Wish Upon A Star.” Even Son
of Anarchy’s Katey Sagal, nearly a decade before Married... with Children, lent her pipes to this oddly entertaining
record.
Sting
Album: The Dream of the Blue
Turtles
1985
Born Gordon Matthew Thomas Sumner, Sting co-founded, played bass for
and fronted The Police, the new wave rock band that belted out such Grammy
Award-winning hits as “Don't Stand So Close to Me” and “Every Breath You Take.”
During a gig at Shea Stadium in 1983, Sting figured the band had peaked and
decided to strike out on his own, releasing the cool, smooth, jazz-influenced The Dream of the Blue Turtles in 1985.
Although it alienated certain fans of The Police’s edgier work,
The Dream of the Blue Turtles
had four singles in the top 20 of the U.S. Hot
100 charts: “If You Love Somebody Set Them Free” (#3), “Fortress Around Your
Heart” (#8), “Russians” (#16), and “Love Is the Seventh Wave” (#17).
Eddie Vedder
Album: Into the Wild
2007
Unlike many of his peers, Pearl Jam front man Eddie Vedder doesn’t
have much of a solo career (not that he needs one), having created just two
albums: 2011’s Ukulele Songs, which
is about what you’d expect from such a title; and 2007’s Into the Wild, which is the soundtrack to the Sean Penn-directed feature
film of the same name. The movie, based on the non-fiction book by Jon Krakauer,
tells the tale of hiker and survivalist Christopher McCandless, who died in the
Alaskan wilderness in 1992.
Indulging his taste for “raggedy roots music that’s longer on
back-porch atmospherics than on fist-pumping choruses” (Mikael Wood of
thephoenix.com), Vedder eschewed Pearl Jam-style grunge in favor of a more
folksy sound.
Neil Young
Album: After the Gold Rush
1970
After the folk rock quartet Crosby, Stills, Nash & Young
released the chart-topping Déjà Vu in
March of 1970, each member of the band produced a solo record. Neil Young’s was
After the Gold Rush, his third studio
album and one of his best. Along with such fine country folk tunes as “Tell Me
Why” and “Only Love Can Break Your Heart,” the disc contains “Southern Man,” a polemic
against racism and slavery in the American South (Lynyrd Skynyrd wrote “Sweet
Home Alabama” in response).
Curiously, After the Gold Rush was inspired in part by a screenplay written by Herb Berman and actor Dean Stockwell (Quantum Leap, Battlestar Galactica) for an unmade film of the same name.
Curiously, After the Gold Rush was inspired in part by a screenplay written by Herb Berman and actor Dean Stockwell (Quantum Leap, Battlestar Galactica) for an unmade film of the same name.
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